Un Drama Nuevo Essay, Research Paper
Un Drama Nuevo
Argumento:
Esta obra tiene un argumento muy interesante y un poco confuso. Empieze con Yorick hablando a Guillermo Shakespeare sobre un papel del teatro. Yorick es un actor de la compa??a teatral de Shakespeare. Por lo general, hace los papeles de comediante, pero quiere hacer el papel del protagonista de una tragedia. Esta tragedia es un drama nuevo por un autor desconocido. Shakespeare cede, pero despu?s de mucho convencer. El papel tr?gico es de un Conde que se entera de que su esposa es infiel. La cosa se complica, sin embargo, por dos razones. Primer, otro actor, Walton, quer?a el mismo papel y quiere vengarse. Segundo, en la realidad, la esposa de Yorick, Alicia, es infiel y ella hace el papel de la esposa infiel de la obra mientras su amante, Edmundo, hace el papel del amante en la obra. Todo el mundo, menos Yorick, sabe del l?o entre Alicia y Edmundo. Yorick est? sospechoso de su esposa, pero nunca sospechar?a a Edmundo, a quien considera un hijo. La noche del estreno, Walton se pone muy envidioso cuando oye los aplausos no para ?l sino para Yorick. Walton descubre una carta que Edmundo ha escrito a Alicia que revela sus planes a escapar el d?a siguiente por un barco. El personaje de Walton se debiera darle al personaje de Yorick una carta que revela quien es el amante de su esposa (el personaje de Alicia). En vez de darle una carta blanca, Walton, en un arranque de envidia, le da la carta de Edmundo a Alicia, a pesar de los esfuerzos de Shakespeara por impedirlo. A este punto, el argumento del drama se convierte en la realidad cuando Yorick se da cuenta de que Edmundo es el amante de Alicia. Las palabras de los personajes se hacen las palabras de las personas mismas. El fin tr?gico del cuento es la muerte de Edmundo, por la espada de Yorick, y la muerte de Walton, en un desaf?o callejero.
Una Cr?tica:
Disfrut? la obra, Un Drama Nuevo, por Manuel Tamayo y Baus mucho. De la primera escena al ?ltimo, captaba toda mi atenci?n. Es una obra intensa, en que se quiere que todo sale bien, pero el fin inevitable es la tragedia. Esta pieza pod?a ser considerada tan buena como una de Shakespeare mismo. El uso de Shakespeare como un personaje y las muchas referencias a sus obras es idea original e ingeniosa. Recomendar?a que todo el mundo lea o vea esta obra.
Esta obra es una tragedia. El pobre Yorick es el protagonista de esta obra. Durante toda la acci?n ?l no sabe de su propia situaci?n aunque el p?blico y otros personajes la saben. Esta es la iron?a tr?gica de la obra; no obstante, hay m?s iron?a porque Yorick quiere hacer el papel tr?gico del marido enga?ado y dice **Ning?n otro papel me cuadrar?a menos que el de marido celoso.** Otro ejemplo de la iron?a que lleva al fin tr?gico es el enga?o de Shakespeare por Walton con las cartas. Walton le da a Shakespeare la carta blanca que es parte de la utiler?a de la obra y le entrega a Yorick la carta de amor de Edmundo. Todas estas iron?as culminan en el entendimiento de Yorick de que Edmundo es el amante de Alicia. Esto es su propio destrucci?n y tambi?n resulta en la destrucci?n por la muerte de Walton y Edmundo. Aunque Edmundo no ha muerto, ha sido destru?do como persona. Las palabras de Shakespeare representan bien la destrucci?n final: **Rogad por los muertes. ?Ay, rogad tambi?n por los matadores!**
Otra t?cnica teatral que se encuentra en esta pieza es el metateatro. Hay dos tragedias en esta obra que corre parejas: la de Edmundo y la de su personaje. Las personas corren parejas a sus personajes en el drama nuevo. La esposa infiel del drama nuevo es una esposa infiel en la realidad. Esto es la verdad con los otros, tambi?n: Edmundo, el amante; Yorick, el marido enga?ado; y Walton, el mensajero de las malas noticias. La primera vez que la realidad une con el teatro es cuando Yorick recita sus l?neas, **Tiemble la esposa infiel, tiemble,** y Alicia se desmaya. M?s tarde esta juntura es completa con la entrega de la carta. Como fue mencionado en la explicaci?n del argumento, a este punto, la realidad y el teatro son lo mismo. Este demuestra el tema que todas las personas del mundo son actores y actrizes y adem?a significa la semejanza entre lo que es real y lo que no es. ?Cu?l es la realidad y cu?l no es? ?Cu?ndo est?n personas fingiendo y cuando no? Creo que estas son preguntas que Tamayo y Baus quer?a que nos preguntemos.
Tamayo y Baus utiliza la prefiguraci?n excelente para desorollar el argumento. Si notamos estas pistas, podemos comprender mejor la obra. Unos ejemplos de la prefiguraci?n que se usan incluyen en la primera escena las palabras de Shakespeare, **Desdichado Yorick,** cuando Yorick refiere a Edmundo y Alicia como Romeo y Juliet, mostrando que ya sabe del amor secreto. M?s tarde, en el acto segundo cuando Yorick habla de su curiosidad, Walton refiere a Ad?n y Eva. Su curiosidad lleva a ellos a su ca?da y este advierte del destino de Yorick. Un ejemplo final de la prefiguraci?n es las palabras de Shakespeare, cuando se da cuenta de que ha sido enga?ado: **La serpiente ha enga?ado al le?n. ?Aplaste el le?n a la serpiente!** Un poco desp?es, Walton se muere. La prefiguraci?n est? usado por el libro para a?adir al incertidumbre y atm?sfera intensa.
Tamayo y Baus combina dos tragedias con el metateatro y usa la prefiguraci?n para desarollar el argumento. Adem?s, ha usado la vida y obras de Shakespeare en desarollar una obra como ning?n otro. No solamente es Un Drama Nuevo un cuento excelente y absorbente, pero tambi?n contiene muchos elementos teatrales desarollados por el autor para hacer esta obra una de las mejores que he le?do.
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