– 1674) Essay, Research Paper
Few literary poems attempt to take on
such a huge theme as Paradise Lost. Milton himself, in the Argumentum that
begins the poem, claims to have produced the greatest poem ever written,
“things unattempted yet in prose or rhyme.” The poem’s theme is nothing
less than the origin of evil itself, which Milton sees as being embedded
in man’s nature as a result of the original transgression and subsequent
sins of humanity’s common ancestors. It recounts, in twelve expansive books,
a story line that occupies only a few verses of the book of Genesis.
Aside from its sheer size, other elements
might make the work somewhat difficult for a modern reader. It is told
in the high formal style, filled with rhetorical speeches, invocations,
elaborate similes, and long “catalogues” of names, places, and armies.
Milton showers his poem with thousands of allusions to Hebraic, medieval,
and renaissance culture, and his syntax may strike a modern reader as twisted.
This striking and unusual word order is imitative of Vergil’s Aneid and
the structure of many other great classical epics,
But one need not be a classical scholar
to enjoy Paradise Lost. The music of the language is often mesmerizing,
and its imaginative retelling of the Genesis account is without equal.
The reader is immediately intrigued by
Milton’s portrait of Satan. In fact, it’s not hard to sympathize with the
fallen devil, or even side with him – his character is more fleshy and
alluring than that of the somewhat bland God of the poem. But that is the
very irony Milton wanted to achieve: just as Satan makes evil appear good,
so Satan’s ways may appear, but only at first glance, attractive.
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